James M. Fortier – Producer/Director/DP/Editor

jim_jordan_wadi_rum_webJames is an accomplished, award-winning documentary filmmaker with national PBS credits and numerous film festival screenings of his body of work over the past 20 years. His first documentary, Alcatraz Is Not An Island screened at the prestigious Sundance Film Festival in 2001 and aired nationally on PBS and APTN in Canada.

Since 1995, James’ documentaries have focused primarily on Native American and environmental issues. He has won numerous awards, including 3 Emmy Awards and the DuPont Columbia Award For Broadcast Journalism as episode Producer and Director for Bad Sugar, part of the national PBS health series Unnatural Causes: Is Society Making Us Sick? James’ latest documentary, Gifts From the Elders recently screened at several film festivals, including the American Indian Film Festival in San Francisco, and aired on PBS in 2014.

Other documentary works include the six hour PBS Ojibwe series Waasa Inaabidaa: We Look In All Directions, Voices for the Land, Indian Country Diaries: Spiral of Fire, Playing Pastime: American Indians, Softball, and Survival, Green Green Water, and two documentaries for the Muckleshoot Indian Tribe, Pulling Together, and Gathering Together.

In 2007 James was the Artist in Residence at the University of Illinois, Urbana-Champaign where he conducted a four week video production lab for the American Indian Studies Department course, American Indian Stereotypes in Film, and presented several of his documentaries for students and faculty.

James is an enrolled member of the Biigtigong Nishnaabeg First Nation (formerly called The Ojibways of Pic River First Nation), located in Ontario, Canada. Born in Nipigon, Ontario, Canada and raised near Chicago, James moved to the San Francisco area to complete his college education in 1983.



LeAnne Howe – Eidson Distinguished Professor, Department of English – University of Georgia, Athens

leanne_writing_desertLeAnne Howe is an enrolled citizen of the Choctaw Nation of Oklahoma. She writes fiction, poetry, screenplays, creative non-fiction, plays and scholarship that primarily deal with American Indian experiences. Her short fiction has appeared in The Kenyon ReviewFiction InternationalCallalooStoryYalobusha ReviewCimarron Review, and elsewhere, and has been translated in France, Italy, Germany, the Netherlands, and Denmark. She has held residencies at the MacDowell Colony, Virginia Center for the Creative Arts, Ragdale Writers Residency, and the Atlantic Center for the Arts.

Her first novel Shell Shaker (Aunt Lute Books, 2001) received an American Book Award in 2002 from the Before Columbus Foundation. The novel was a finalist for the 2003 Oklahoma Book Award, and awarded Wordcraft Circle Writer of the Year, 2002. Equinoxes Rouge, the French translation, was the 2004 finalist for Prix Medici Estranger, one of France’s top literary awards. Evidence of Red (Salt Publishing, UK, 2005) won the Oklahoma Book Award for poetry in 2006, and the Wordcraft Circle Award for 2006. Miko Kings: An American Indian Baseball Story (Aunt Lute Books, 2007) is the story of a Choctaw baseball pitcher Hope Little Leader, Justina Maurepas, his black-Indian lover, an all-Indian baseball team, and Ezol Day, a Choctaw postal worker who comes back across time to tell her story to a woman who should have been her granddaughter. Set in 1907 and 2006, the novel spans nearly 100 years and examines the roots of American baseball. In 2014, Howe’s memoir Choctalking on Other Realities, Aunt Lute Books, 2013, won the first MLA prize for Studies in Native American Literatures, Cultures, and Languages.

In 2006-2007 she was selected as the John and Renee Grisham Writer-in-Residence at the University of Mississippi at Oxford, MS.  Spring 2003, she was the Louis D. Rubins Jr. Writer-in-Residence at Hollins University, VA.  In 2004 she was the Regents Distinguished Lecturer at University of California, Riverside.

LeAnne is the screenwriter and on-camera narrator for the 90-minute PBS documentary Indian Country Diaries: Spiral of Fire that aired nationally in 2006. Part memoir, part tribal history the film takes Howe (Choctaw) to the North Carolina homelands of the Eastern Band of Cherokee Indians to discover how their fusion of tourism, community, and cultural preservation is the key to thetribe’s health in the twenty-first century. Along the way Howe seeks to reconcile her own identity as the daughter of a Cherokee father she never knew.

She is writer/co-producer of the documentary Playing Pastime: American Indian Fast-Pitch Softball, and Survival, with three-time Emmy award winner filmmaker, James Fortier.

LeAnne has read her fiction and been an invited lecturer in Japan, Jordan, Israel, Romania, and Spain. Founder and director of WagonBurner Theatre Troop her plays have been produced in Los Angeles, New York City, New Mexico, Maine, Texas, and Colorado.  She performed in a one-woman show titled Choctalking on Other Realities for the Krannert Center for the Performing Arts, Urbana, Illinois in January 09.  Her most recent accomplishment is winning the Tulsa Library Trust’s American Indian Words Award.


In 2010-2011 Howe received a Distinguished William J. Fulbright Scholarship and she lived in Amman, Jordan during the Arab Spring.  She taught at the University of Jordan and researched a new novel set in 1913-1917, and the present.  The story journeys from Allen, Oklahoma to Ottoman Beirut, to the Arab



Associate Producer, Host-Narrator

Joshua B. Nelson – Associate Professor, Dept. of English, The University of Oklahoma

candess_joshua_interview_crewProf. Joshua B. Nelson, a citizen of the Cherokee Nation and a native Oklahoman, is an associate professor of English and an affiliated faculty member with Film & Media Studies and Native American Studies, focusing on American Indian literature and film. His book, Progressive Traditions: Identity in Cherokee Literature and Culture, looks to dismantle the pervasive assimilated/traditional dichotomy plaguing American Indian literary criticism. It explores the empowering potential of traditional, adaptive strategies and practices to address cultural and historical dilemmas.

Prof. Nelson takes a pluralist interest in tribalist, postcolonial, anarchistic, feminist, and pragmatic theoretical perspectives. His work has appeared in the American Indian Culture and Research Journal, TheOxford Handbook of Indigenous American Literature, and The Wiley-Blackwell Companion to Film Comedy. He is at work on a book on representations of the body in Indigenous film. He teaches courses on American Indian literature, literary criticism, and film. He and his wife divide their time between Norman and Park Hill, Oklahoma.



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